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August 10,1996
After sending Joe (a prairie boy) descriptions
of various Ontario crops throughout
their growth cycles, Joe's first image comes in by fax. A
draft horse - a perfect
image for the plowing match and designed in such a way
that it can be planted
and harvested relatively easily. I was both pleased and
relieved; practicality
hadn't interfered with creativity and vice versa. |
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The harness will be bare earth, disced on after
the wheat is harvested. Joe will
personally work on the shafts thus hooking the horse to
the plough during the
1997 International Plowing Match. |
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September 25, 1996
Georgian College survey students placed over 500
stakes in the field to lay out the image of the horse.
They worked from a blueprint, generated by a computer
program, that plots the perimeters of odd shapes ... even
horses. At times they had three laser transits in the
field, each with a chip that could precisely locate each
co-ordinate. They finished the layout on the evening of
Friday, October 4, and the next day Scott Dobson worked
the field for the first time. |
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October 6, 1996 After
an unseasonably wet early fall I arrived at the field,
along with Greg Amann, Peter Lee, Doug Scholes and about
500 seagulls to take advantage of a brief dry spell to
get some seed in the ground.
That's me loading my seed drill with winter wheat ,
the first crop to go in and the one that makes up the
horses' body.
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Round one of a giant "connect the dots"
puzzle. It took as long to plant the first round as it
did to complete the other l6 acres. |
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Tight areas like the ears and mouth were
deliberately over planted and will be trimmed out by hand
in the spring. That's why Joe's horse appears to be
sticking his tongue out. |
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The metal flags allowed me to run over them while
planting tight inside curves. (I'm afraid that the odd
wooden stake on an easy outside curve met its untimely
demise as well.) |
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October
20, 1996
Joe Fafard inspects the largest piece he has worked on
to date. He was up for an opening of his work at the Mira
Godard Gallery (Toronto), and for our radio interview
with Peter Gzowski on CBC's Morningside. It was great to
finally meet Joe face to face and introduce him to the
many people involved with this project.
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Not much top on the wheat to take it into the
winter, but we have our fingers crossed. I've enjoyed
watching my artist friends becoming a little more weather
conscious as mother nature affects our plans. |
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Joe Fafard with William Moore on the grounds of
the historical estate that currently is the MacLaren Art
Centre's home. William, Director/Curator of the MacLaren,
had the original crop picture idea and was the one who
phoned Joe and got the ball rolling. |